Caravan Gypsy Swing Ensemble - $6

Art in the cafe...

Ruth Comfort


"The Metaphysical Affect"


January 2026



A diverse collection of mixed mediums, extensively encapsulating my heart and soul concerning the dreams of the human condition. ARTISAN RUTH COMFORT My given name is Ruth Comfort. Named after the amazing artist Louis Comfort Tiffany. I hail from a very long line of artisans and musicians. Even dating back to the great German philosopher...
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Tamara Lea Kaufman


"pretty ~ ugly"


February 2026



Artist Statement Tamara Lea Kaufman’s personal artwork ranges from serious to quirky, dark, adult-themed humor. She creates multimedia assemblage, collage, and dioramas made from HO-scale railroad hobby miniatures, preserved insects, paint, embroidery, found objects, and typically discarded materials such as candy wrappers and the overlooked debris of everyday life. Her work explores topics of consumption, waste, desire, relationships, psychology, politics, societal pressures and the levity of humor needed to survive it all. It gives her joy to repurpose materials into something new, useful, or...
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Friday, November 18, 2011

Caravan Gypsy Swing Ensemble is an instrumental acoustic jazz group based in Madison, Wisconsin. They are primarily influenced by the legendary Gypsy guitarist Django Reinhardt. The ensemble also pulls influences from jazz, swing, European folk, traditional Latin, Parisian waltz, and other vintage-jazz sources. Expect a range of tunes from the -Hot Swing\" repertoire, originals and standards done in uniquely arranged styles.

The idea for Caravan started in early 2002 when Chris Ruppenthal, the group-s leader and an aspiring jazz guitarist, first heard recordings of Dutch Gypsy jazz guitarist Jimmy Rosenberg who played in the Reinhardt style. Chris soon turned away from the American Bebop style of jazz guitar to follow in the long shadow of Django and was inspired to seek out fellow Gypsy Jazz enthusiasts.

Caravan sprang out of that inspiration as a trio of two guitars, and violin. The trio played a barrage of open mikes and busked at local farmers markets to get their repertoire together. After adding a bassist and clarinetist they began playing coffee houses, clubs, and parties. Soon they were recording, and performing consistently throughout the Midwest.